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It’s an anti-war film and tribute to fallen service members. Deathdream streams on Tubi and ARROW.Īired as a part of Mick Garris’ Masters of Horror anthology, Homecoming is a pivot from the typical military zombie film where we root for the humans to survive. Some boys never come home.” In 2010, it was announced to be remade under the title Zero Dark Thirty with director Paul Solet ( Clean ) revising a script by Stephen Susco ( The Grudge ), but there has been no updates on its status since. The final line cements the horrors of war and loss: “Andy’s home. Themes of grief, post traumatic stress disorder, addiction and an inability to meet the expectations of society and loved ones are told through the bloodthirsty ghoul. The way it expresses the domestic challenges veterans and their families face upon homecoming is quite touching. The film shows the early work of Tom Savini (a Vietnam veteran himself), alongside Alan Ormsby, who also penned the script. After Andy Brooks ( Richard Backus ) is killed in action, a “death notification” is delivered to his parents and sister, portrayed by John Marley, Lynn Carlin and Anya Ormsby. The Monkey’s Paw tale gets a Vietnam war setting in Deathdream AKA Dead of Night. Or, of course, if you just want to see giant alien bugs or werewolves blown to bits, that’s here too.
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The POVs range from civilians trapped in military culture, teen cadets, facing barriers as a female pilot and the post-Vietnam grief endured by veterans and their families. That said, in recognition of Memorial Day here are 14 military horrors to choose from that aren’t all just about the undead. This hybrid subgenre repeatedly uses the zombie as the antagonist of choice, a reason identified by Scholar Kevin Wetmore in Post-9/11 Horror in American Cinema : “Zombies cannot be reasoned with, cannot be negotiated with, they seek only to replicate themselves, which also makes them an excellent metaphor for terrorists.” There is a thin line between the two, but military horror goes further by blending the literal and figurative. Come and See is often hailed as one of the scariest films and Son of Saul almost plays like a found footage in Auschwitz.
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War films are horror films, aren’t they? Both genres explore inevitable death intertwined with moral quandaries and are full of suspense.